To carry out | To do something as required
Interviewer | Now, Linda Smith is to be presented with a "Women in film and television" award for specialist expertise. Her speciality involves jumping off office blocks and turning over cars. She's been dragged behind a speedboat and had a fight on a cable car 5,000 feet above Rio de Janeiro, with no safety wire. She is a stuntwoman. Some people would say "You're crazy, Linda". How did you do that, on the cable car, with no wire? |
Linda | At first when we got up there, it was a bit hair-raising because you looked down into the harbour and all you could see were the boats, which looked like little matchboxes. But after a while ... The technician had been told to move the cable car at normal speed. At first the man didn't want to move it at all because he was frightened of us falling off, but he got used to it and, once you're up there, it's just like you're sitting in a room. And I used to sunbathe up there between shots. I had a black suit on and I used to unzip it and have a bikini underneath. I know sometimes I was being watched by the camera crew, but I just ignored them! |
Interviewer | And you can actually look down and not be completely frozen with vertigo? |
Linda | Well, I wouldn't ever be hired if that was the case! |
Interviewer | Well, you are welcome to your job. I really don't envy you. How did you become a stunt woman? |
Linda | My parents used to supply horses and carriages for films and I used to go as a child, looking after the horses, and I was sometimes given a tip to hold the horses for the actors and make sure they were comfortable. And then I would teach them little things, and I was asked to ride side-saddle, then to fall off as part of a stunt and it started like that. Then a stunt guild was set up, which I joined. I took up judo, trampolining, karate, sort of a bit of everything really, and that's how I got into the business. |
Interviewer | What's the most important thing you need to know to stay safe? |
Linda | Every stunt has to be assessed and worked out to be the safest it can be. That's why it's a stunt. That's why you are being paid to do it and the actresses are not exposed to any risks. Sometimes you can pad up, sometimes you can't. Most of the time pads can't be used on the girls because they're usually in dresses; they can be used on men because they wear suits and they can put loads of body pads on. |
Interviewer | So you're at even more risk than the men. Now your injury list is, I think, spectacular. |
Linda | No, bearing in mind all the years I've been doing it, it's quite unspectacular. But I fell off a bridge without pads when the safety wire hadn't been fixed properly. I ended up with a cracked vertebrae, a broken rib or two and covered in bruises, but I was back working within eight weeks. |
Interviewer | And you were once knocked over rather badly, weren't you? |
Linda | I made a car knock-down, and I hadn't been given a wig because my hair was the same as the actress's, so I agreed to do it without padding my head. Usually I pad up under a wig. I got knocked out when I hit the windscreen, and then I went up onto the roof, back onto the bonnet, and then just fell off the car, but I was already unconscious. I broke my ankle, and tore all the tendons in my hand, took all the flesh off over my cheekbone, my jaw and knocked a tooth out. Other than that... |
Interviewer | My goodness... What kind of relationship do you develop with the person that you're doubling for? |
Linda | Well, in most cases, especially if you're on location, you get very friendly with your double and you go out for dinner, you know. So lots of them are good friends now and we visit each other at home. |
Interviewer | What happens if you have to double for actresses who are a totally different shape to you? |
Linda | If the actress is taller, it really doesn't matter providing you aren't working with the other actors, or, if you are, you are sometimes given a box to stand on if it's only a question of saying your line face to face with the actor and then diving off the bridge for example. If you're quite slim, you can double anyone really. I have also received classes on basic character acting to be able to imitate the gestures of the actress that I am doubling. |
Interviewer | Stunt artists, even the ones who are well-known in the industry, like yourself, often don't even appear in the credits at the end of the film. Do you envy the glamorous actresses that you stand in for? |
Linda | No, I've always been asked if I wouldn't rather be the actress? And I always say, "Well, I drive into the studio in a nice car, while some of the actresses get off the bus and walk in. And I love just being able to get on with my life without being asked for autographs all the time". |
Interviewer | So there's a lot of money in this game? |
Linda | There is if you're one of the top ones. Yes, there is, but some of the girls starting in this business today are going to find it hard to make a living out of it because there are so much competition right now. |
Interviewer | Computers represent further competition, don't they? |
Linda | Yes, my husband says I'll be outdated, obsolete in time, but not in my time. I won't really be affected, so I'm not too concerned. |
Interviewer | Is there any chance that the technology will get so good that stunt people will be replaced by it? |
Linda | Well, there'll still be the little stunts which are impossible to substitute as far as I can see, but anything big, where you could earn quite a bit of money, they will be carried out by computers, yes, they will. |
Interviewer | How does your family react to you going out risking your life all the time? |
Linda | I never used to tell my mother, really, I just said, "Oh I'm just riding a horse today mum." And then she happened to see the programme Amazing Stunts on TV; she's not usually very talkative but she didn't speak to me for a week after seeing the programme! She just couldn't believe I was being run over by a car in flames. |
Interviewer | And what does your husband have to say about your chosen profession? |
Linda | Well, he always just says "drive carefully honey" when I leave for work. |
Interviewer | Well, that's a good piece of advice for a stunt actress!
What is Linda Smith's job? | ...................................... |
Why did she have a bikini underneath her black suit? | ...................................... |
Who was she being watched by while she was sunbathing? | ...................................... |
Does she suffer from vertigo? | ...................................... |
Why can't women often pad up? | ...................................... |
What happened to her when she fell off a car? | ...................................... |
Does she get on well with the person she has to double? | ...................................... |
Would she like to be famous like an actress? | ...................................... |
What does Linda think about technology? | ...................................... |
What does her husband tell her when she leaves for work? |
Interviewer | Now, Linda Smith is to ........... presented with a 'Women in film and television' award for specialist expertise. Her speciality involves jumping ........... office blocks and turning ........... cars. She's been dragged behind a speedboat and had a fight on a cable car 5,000 ........... above Rio de Janeiro, with no safety ........... . She is a stuntwoman. Some ........... would say 'You're crazy, Linda'. How did you do that, on the cable car, with no ...........? |
Linda | At first when we got up there, it was a bit hair-........... because you looked ........... into the harbour and all you could ........... were the boats, which looked like little matchboxes. But after a while ... The ........... had been told to move the cable car at normal speed. At first the man didn't want to move ........... at all because he was frightened of us falling ..........., but he got used to it and, once you're up ..........., it's just like you're sitting in a room. And I used to sunbathe up there ........... shots. I had a black suit on and I used to unzip it and have a bikini ........... . I know sometimes I was being watched by the camera ..........., but I just ignored them! |
Interviewer | And you can actually look down and not be completely frozen with ...........? |
Linda | Well, I wouldn't ever be hired if that was the ...........! |
Interviewer | Well, you are welcome to your job. I really don't envy you. How did you become a stunt ...........? |
Linda | My parents used to supply horses and carriages for films and I ........... to go as a child, looking after the ..........., and I was sometimes given a tip to hold the horses for the actors and make sure they were ........... . And then I would teach them little things, and I was asked to ride side..........., then to fall off as part of a stunt and it started like that. Then a stunt guild was set ..........., which I joined. I took up judo, trampolining, karate, ........... of a bit of everything really, and that's how I got into the business. |
Interviewer | What's the most important thing you need to know to stay ...........? |
Linda | Every stunt has to be assessed and worked ........... to be the safest it can be. That's why it's a stunt. That's why you are being ........... to do it and the actresses are not exposed to any ........... . Sometimes you can pad up, sometimes you can't. Most of the time ........... can't be used on the girls because they're usually in dresses; they can be used on men because they wear ........... and they can put loads of body pads ........... . |
Interviewer | So you're at even more ........... than the men. Now your injury list is, I think, spectacular. |
Linda | No, bearing in mind all the years I've been doing it, it's quite unspectacular. But I fell off a bridge ........... pads when the safety wire hadn't been fixed ........... . I ended up with a cracked vertebrae, a ........... rib or two and covered in bruises, but I was back working ........... eight weeks. |
Interviewer | And you were once knocked over rather badly, weren't you? |
Linda | I made a car knock-down, and I hadn't been given a wig because my hair was the ........... as the actress's, so I agreed to do it without padding my head. Usually I pad up under a wig. I got knocked ........... when I hit the windscreen, and then I went up ........... the roof, back onto the bonnet, and then just fell off the car, but I was already ........... . I broke my ankle, and tore all the tendons in my hand, took all the flesh off over my cheekbone, my jaw and knocked a tooth ........... . Other than that... |
Interviewer | My goodness... What kind of relationship do you develop with the person that you're ........... for? |
Linda | Well, in most cases, especially if you're on ..........., you get very friendly with your double and you go out for ..........., you know. So lots of them are good friends now and we visit each ........... at home. |
Interviewer | What happens if you have to double for ........... who are a totally different shape to you? |
Linda | If the actress is ..........., it really doesn't matter providing you aren't working with the other actors, or, if you are, you are sometimes ........... a box to stand on if it's only a question of saying your line face to ........... with the actor and then diving off the bridge for example. If you're quite slim, you can ........... anyone really. I have also received classes on basic character acting to be able to ........... the gestures of the actress that I am doubling. |
Interviewer | Stunt artists, even the ones who are well-known in the ..........., like yourself, often don't even appear in the credits at the end of the ........... . Do you envy the ........... actresses that you stand in for? |
Linda | No, I've always been asked if I wouldn't rather be the actress? And I always say, 'Well, I drive into the studio in a nice car, while some of the actresses get off the bus and walk in. And I love just being able to get on with my ........... without being asked for ........... all the time' |
Interviewer | So there's a lot of money in this game? |
Linda | There is if you're one of the top ones. Yes, there is, but some of the girls starting in this ........... today are going to find it hard to make a living out of it because there are so much competition right now. |
Interviewer | Computers represent further competition, don't they? |
Linda | Yes, my husband says I'll be outdated, obsolete in time, but not in my time. I won't really be affected, so I'm not ........... concerned. |
Interviewer | Is there any chance that the ........... will get so good that stunt people will be replaced by it? |
Linda | Well, there'll still be the little stunts which are impossible to substitute as far ........... I can see, but anything big, where you could ............ quite a bit of money, they will be carried out by computers, yes, they will. |
Interviewer | How does your family react to you going out risking your ........... all the time? |
Linda | I never used to tell my mother, really, I just said, 'Oh I'm just riding a horse today mum.' And then she happened to see the ........... Amazing Stunts on TV; she's not usually very talkative but she didn't ........... to me for a week after seeing the programme! She just couldn't believe I was being run ........... by a car in flames. |
Interviewer | And what does your husband have to say about your chosen ...........? |
Linda | Well, he always just says 'drive ........... honey' when I leave for work. |
Interviewer | Well, that's a good piece of ........... for a stunt actress!
|
|
|
No hay comentarios:
Publicar un comentario
Hello kids!